Musical Instruments

The Ultimate Compressor is a true analog pedal which captures warm, studio like tones. Note: Please use a power adapter with a voltage of DC9V, an internal negative and external positive polarity and a current of 500mA or more to power your pedal. Failure to do so can cause serious situations where the product does not work or is damaged.

Danelectro D-1 FAB is a fat and warm vintage distortion pedal, priced for players. In the late '70s a tiny effects maker in Japan produced a small quantity of what many believe is the definitive distortion box. It had delicious tonality and was highly responsive and versatile. Danelectro offers you the D-1 Fab Distortion as a sonic equivalent to the prized original. It's equipped with Level, Tone, and Distortion controls. You'll adore it. Features:

• Warm vintage distortion
• Responsive
• Versatile
• Level, Tone, and Distortion knobs
• The FAB Distortion is a ground distortion that produces the distortion sound of the legendary 70's.

With ten models including booster, tube overdrive, and distortion, Drive Force gives you all pedal sounds you'll ever need. With its Dual Engine and A/B output, Drive force allows you to mix two-drive sounds together and pan it to two outputs. A switchable noise gate and 12 cabinet models can be applied to any of the models. Specification: Effects types 10 modeling stompbox models Presets Up to 9 storable user presets plus manual mode Sampling frequency 44.1 kHz A/D converter 24-bit Signal processing 32-bit Frequency response 20Hz-20kHz ±1dB THD+N 93dBu (＜0.003%) A-Weighting Dynamic Range 100dB Input -20dBV@1MΩ Output -10dBV(Output load impedance of 10 KΩor more) Display 128*128 TFT Power 9V DC (9V battery or optional ACD-007A Adaptor)

Excellent digital delay is more than the simple repetition of sound.   It’s a dynamic creation of consecutive sound . . .  desired consequence.  When great sound engineers mix multiple delay onto a guitar recording track, there are some inherent challenges:   Increase the rhythmic complexity without losing definition.  The desired effects can range from trippy to groovy . . . or a blend of both.  Konsequent packs an array of internal processors that replicate the very sound experienced studio engineers were perfecting in the 1980's using expensive rack-mount digital delay systems. The Konsequent does it at a fraction of the cost, and with the convenience of a mini-pedal. Features: NUX's Intelligent Digital Processor, designed to reduce annoying interference caused by audio peak. NUX's Analog Processor plus Saturation-Simulator offering an abundance of overdrive range. MODES: GROOVE PATTERN (Dotted 8). Multi-Delay Output. REGULAR PATTERN (Simple Delay) Warm, yet purposefully defined

NUX Monterey Vibe, born to recreate the grand, yet complex, psychedelic rock guitar sound of the 1960's and 70's. It features all of the classic Uni-vibe style selections: Chorus, Rotary-Speaker, and Phaser pedal. We modernized the original 4 stage phaser circuit ( a pulsating bulb surrounded by 4 photo-resistors ) by  replacing it with a powerful 32Bit floating DSP to process our custom algorithm.  What was the outcome?  A perfect mimic of the complex physical-phenomena of its original analog circuitry. NUX Monterey Vibe generates a truly unique effect tone; a mix of chorus, tremolo, rotary, and phaser. This unique tone can be found in Pink Floyd’s ‘Breathe’, Robin Trower’s ‘Bridge of Sighs’, and the haunting audio mood created for ‘Machine Gun’ by Jimi Hendrix. The earliest Uni-Vibe effect pedal came out in the 1960‘s.  Cutting-edge guitarists were seeking a replacement for the heavy rotary speaker amplifier--configured from a standard amplifier for the electronic pipe organ.  The original Leslie speakers did have a charm of their own, but it was more than compensated for by gaining the phaser effect, and the ease-of-use of a simple pedal configuration. Just like the traditional Uni-Vibe pedal, you can switch between Chorus ( the Uni-vibe effect ) or Vibrato, by simply holding the foot-switch.  In Chorus mode, the mix of Phaser and dry guitar signals produces a classic Rotary sound.  In Vibrato mode,  your pitch modulates between high and low.   Both modes yield a rich, vintage vibe at any speed, intensity, or volume.

Go from Blues-Breaker to Blues-Sky Rocket! 

The Morning Star lights up all of the classic aspects of a great blues breaker pedal, but we added something stellar to improve the high-frequencies. Engage the Morning Star foot-switch to add more overhead with saturated grit to your clean tones, and if you wanna’ boost your high-frequencies to a whole other stratosphere, press/hold the foot-switch to activate the Shine circuit which adds a whole new level of tone brightness. A Simple Pedal, Loaded with Massive Tone! 0 to 5 on the Drive-Knob yields a balanced overdrive to your clean tone.  Tweak it up for thick overdrive with a bit more gain. The tone control has superb tone range from Dark to Morning Star bright.  And, whenever you want your blues riffs to light up the skyline, the Shine circuit is always there waiting for your cue to come over the horizon. You also get 2 bypass options: True Bypass or Buffer Bypass for your essential signal chain needs. True Bypass or Buffer Bypass A lot of professional guitar players start their signal-chain with a stand-alone buffer. it has optional True Bypass / Buffer Bypass modes for running the pedal. Push and hold the foots-witch and power up the pedal to select True (Red LED indicator) or Buffer (Green LED indicator) bypass mode.

Mini High Gain Monster

Inspired by legendary high gain amp stacks, and adding a wide dynamic range, high definition sound, and flexible onboard controls, the Morpher delivers a huge modern high gain distortion sound suitable for both shredding and riffing. Get those full stack amplifier distortion tones. Maintaining a natural sound, there will be no overhyped frequencies, no muddy bass, and no excessive mids with this pedal. This high-gain distortion pedal has excellent dynamic response and high signal definition especially suited for lead guitar. There are three function knobs: LEVEL, TONE and GAIN. LEVEL is used to set the distortion volume. TONE is to set the brightness of your tone. GAIN is used to set degree of distortion. There are three distortion models: Natural, Tight, and Classic.