Microphones PreAmps
Showing all 16 resultsSorted by price: high to low
PreSonus Studio Channel
Step-up the Quality of Your Recordings!
The PreSonus Studio Channel is the perfect way to step-up the quality of your recordings! This fully featured channel strip delivers a Class A tube microphone/instrument preamplifier, a variable VCA compressor, and a 3-band parametric EQ complete with VU metering - all at a ridiculously great price. If you're currently working on stock interface or mixer preamplifiers, you won't believe how incredible the same sources sound through the Studio Channel. Experience all that signature fat tube tone plus the full-on ability to tweak - the PreSonus Studio Channel's bound to become your "go-to" box!- Class A vacuum tube microphone / instrument preamplifier
- Tube gain and tube drive
- Variable VCA compressor (threshold, ratio, attack, release, make up gain, auto, soft)
- Three-band parametric EQ
- Precision analog VU meter for gain reduction and output
- EQ Pre/Post compressor switch
- 80Hz highpass filter
- 20dB pad
- Phase invert
- Rugged metal chassis
- High-headroom
- Ultra-low-noise design
Zoom V6 Vocal Effects Processor with SGV-6 Vocal Microphone
Vocal Effects Pedal with Voice Processing, Harmony, Effects, 40 Presets, and Looper Includes SGV-6 Supercardiod Shotgun Microphone for the Zoom V6-SP and V3 Vocal Effects Processors
ART Pro-VLA II 2-channel Opto Tube Leveling Amplifier
An Effective, Affordable Compressor/Leveling Amp from ART!
The ART Pro-VLA II is a tube driven Vactrol-based compressor/leveling amplifier designed for tracking, mixing, mastering, live sound, or broadcast situations. By using an opto-electronic design, (as opposed to a more typical VCA driven level detection circuit) the Pro-VLA II allows more compression to be added to an audio source with a more natural, musical sounding output and virtually transparent dynamic leveling. This VCA-less design coupled with a 12AT7 vacuum tube in the gain stage makes the Pro-VLA II an ideal dynamic control device! Great in the studio or live ART's Tube Compressor/Leveling Amplifier deliver analog leveling/compression designed to work seamlessly with any recording, sound-reinforcement, and electronic instrument application. It excels at making tracks sound rich and full for both live audio engineering and studio recording applications. Tube compression circuitry ART's tube compression circuitry is a hybrid design utilizing advanced analog and tube technology, and has exceptional signal integrity with extremely low noise. Vactrol This unit utilizes optical electronics (a device known as a Vactrol), coupled with a 12AT7 vacuum tube gain stage for superior musical performance. Unlike typical compressors which use VCAs to control level detection, ART tube compressors are very musical, expressive and natural-sounding.- Vactrol Opto-Compression Design (no VCA)
- Mastering-Quality Audio Signal Path with Tube Gain Stage
- Enhanced Link Mode - While in stereo link mode, channel 1 level control acts as a master output level and channel 2 becomes a balance control between them, - optimizing the Pro-VLA II for use as a mastering tool
- Variable Threshold, Ratio & Output Controls
- LED Backlit VU Input/Output Level Metering
- LED Metering Indicates Both Average Level And Peak Hold
- Accurate Ten Segment LED Gain Reduction Metering
- +4dBu/-10dBV Mode Switch Optimizes Pro-VLA II For Interface With Professional OR Consumer Grade Components
- Active Balanced XLR And 1/4-inch Inputs and Outputs
- Toroidal Transformer Reduces Mechanical and Electrical Hum
PreSonus TubePre V2 Tube Microphone Preamp
Single-channel Microphone and Instrument Preamplifier with Built-in Tube Tone Circuit
iCON ReoTube G2X
ReoTube G2X
- A true tube Microphone/Instrument preamp
- Limiter build-in for leveling control
- “Saturation” for harmonic/warmth adjustment
- Input gain control with LED metering displays
- Enhance control
- Analog VU meter with warm orange backlight
- 48V phantom power
- Low cut switch
- Phase switch
- 1/4” jack for external processor
- Balanced XLR microphone input and 1/4” TRS input
- XLR connector for balanced line output
- S/PDIF output via an internal analog-to-digital converter sends 24-bit digital audio to harddisk recorders via the rear panel RCA connector
- Rugged aluminum construction and adopted ICON’s Reo series racking system
iCON ReoTube G2
ReoTube G2
- A true tube Microphone/Instrument preamp
- Limiter build-in for leveling control
- “Saturation” for harmonic/warmth adjustment
- Input gain control with LED metering displays
- Enhance control
- Analog VU meter with warm orange backlight
- 48V phantom power
- Low cut switch
- Phase switch
- 1/4” jack for external processor
- Balanced XLR microphone input and 1/4” TRS input
- XLR connector for balanced line output
- Rugged aluminum construction and adopted ICON’s Reo series racking system
Behringer Ultragain Pro MIC2200 V2
2-channel Mic/Line Tube Preamplifier with Highpass Filter and Fully Parametric EQ
Behringer MIC500USB Tube Mic Preamp
Vacuum Tube Preamp with Preamp Modeling Technology and USB/Audio Interface
Behringer Tube Ultragain MIC200
Quick and easy preamplification for studio or stage.
The Behringer Tube Ultragain MIC200 Mic Preamp is a vacuum tube preamplifier with preamp-modeling technology and an integrated limiter. It's perfect for studio, live, and hard-disk recording applications. Preamp modeling allows you to quickly optimize your recordings by choosing from 16 voicings for vocals, acoustic and electric guitars, bass, keyboards, drums, and more. A carefully selected 12AX7 vacuum tube provides warmth and low-noise operation. Includes a phase reverse switch, +48V phantom power, and 20dB pad. 1/4" TRS and gold-plated XLR connectors give the Behringer Tube Ultragain superior balanced I/O.
- Modeling preamp w/16 voicings
- Integrated limiter
- 12AX7 vacuum tube
- Phase reverse switch
- +48V phantom power
- 20dB pad
M-Audio AudioBuddy Dual Mic Preamp
Super-quiet dual mic preamp and direct box.
The ultra-quiet M-Audio Audio Buddy 2-channel preamp offers the features and performance you need to track great-sounding music on your computer. Each channel offers individually adjustable gain, balanced XLR with phantom power or a 1/4" instrument level input, and independent 1/4" outputs (unbalanced or balanced TRS). Use the M-Audio preamp as a direct box for high impedance signals from guitars, basses or other sources for recording with optimal results.
- Ultra-quiet 2-channel preamp
- Each channel offers individually adjustable gain
- Balanced XLR with phantom power or a 1/4" instrument level input
- Independent 1/4" outputs (unbalanced or balanced TRS)
Tonetech CL-1 Inline Microphone Preamp
25dB Gain Inline Microphone Preamp for Dynamic Mics
Behringer Tube Ultragain MIC100
Warm Up Your Sound with Real Tube Tone
Tired of stale, brittle, digital-sounding recordings? Warm up your recordings with the Behringer Tube Ultragain MIC100 preamp. The hand-selected 12AX7 tube has great character and low-noise. Phantom power lets you add warmth to your favorite condenser mic, and the 20dB pad assures strong signal output. An LED meter helps you keep track of your output levels. You can also use the MIC100 as a direct box for guitars, basses or keyboards.- 12AX7 tube
- 20dB pad
- Phase reverse switch
- Output limiter
- +48V phantom power
- XLR and 1/4" ins and outs
Behringer MicroPower PS400 48V Phantom Power Supply
1-channel, Selectable 12V/48V Phantom Power Supply
Samson S-combine – Mini 2 To 1 Microphone Combiner
The S-combine takes the inputs of two microphones and combines them into a single microphone level output
- 2-to-1 mic combiner
- Two balanced XLR mic inputs
- Balanced XLR mic output
Noise Free Calibrated Phantom Power Supply 48V
Noise Free, Calibrated & Clean +48v Phantom Power Supply
More gear today — dynamic mics, DI boxes, even guitar equipment — requires phantom power than ever before. When you need an extra channel of clean, consistent, dependable +48v phantom power, reach for the dedicated phantom power supply. What's really cool about this power supply is that it powers from a standard wall supply (included). Built-Like-A-Tank construction keeps it working like a charm between the home, road, and studio.- Clean & Stable +48V Phantom Power (Noise Free & Calibration Tested)
- Powered by included AC power supply
- Standard XLR input & output
- Low-noise signal path
- Compact and rugged metal construction
Behringer Ultragain Pro-8 Digital ADA8000
ULTRAGAIN PRO-8 DIGITAL ADA8000
The 8 In/8 Out ULTRAGAIN ADA8000 ADAT Audio Interface is one of our all-time, best-selling products. The incredible ADA8000 features audiophile-grade 24-bit A/D - D/A converters for ultimate signal integrity, optical ADAT in/out interface for ultimate compatibility, and our “Invisible” Mic Preamps – making it the natural choice of professional musicians and audio engineers alike. Your recording tracks will sound just as amazing as you imagined them – when you lay them down with the ADA8000!ADAT-Ready
The ADA8000 is sublimely easy to operate, fits neatly into a single rack space and, thanks to the 8 IMP “Invisible” mic preamps with switchable +48 V Phantom Power and audiophile-grade 24-bit A/D - D/A converters, you get incredibly detailed, pristine performance. Signal conversion takes place at your choice of 44.1 or 48 kHz with full 24-bit resolution. The ADAT Inputs and Outputs can be operated independently, as long as you use an identical wordclock signal. And ADA8000’s operating frequency range is an ultra-wide 10 Hz to 24 kHz – at a very respectable, 48 kHz sampling rate. Put simply, the ULTRAGAIN ADA8000 is the professional’s edge.Outstanding “Invisible” Mic Preamps
The ULTRAGAIN ADA8000 features our ultra-low noise, high-headroom IMP “Invisible” mic preamps, which have been praised by audio professionals all over the world. These studio-grade mic preamps off er a staggering 130 dB of dynamic range, with a bandwidth that extends from below 10 Hz to over 200 kHz, and are perfectly matched to every conceivable microphone – with up to 60 dB gain and a +48 V phantom power supply. Armed with these outstanding mic preamps, the ADA8000 provides exceptionally-transparent and crystal-clear sonic performance – making it the ideal choice for both live sound and studio recording applications.