Processors/Limiters
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Behringer Virtualizer 3D FX2000
A Flexible Effects Processor
We are always looking for ways to make our performances leave a lasting impression, the Behringer Virtualizer 3D FX2000 gives you the tools you need to knock the audiences socks off. This multi-effects processor features Behringer's Real Sound Modeling stereo and 3D effects. These effects will make your audience sit up and take notice with lush reverbs and delays. With 100 presets and 100 user memories you will be able to create the perfect resets to recall at anytime. Effects include reverbs, amp simulation, delays, modulation effects, and even psychoacoustics processing. Behringer Virtualizer 3D FX2000 Effects Processor at a Glance:- Robust input and output options
- High-performance multi-effects processor
- Balances XLR and TRS inputs and outputs
- Extensive MIDI Implementation
- High-performance Multi-effects Processor
- 24-bit AD/DA with 64/128 times oversampling
- 100 presets and 100 user presets
Behringer Ultragain Pro-8 Digital ADA8000
ULTRAGAIN PRO-8 DIGITAL ADA8000
The 8 In/8 Out ULTRAGAIN ADA8000 ADAT Audio Interface is one of our all-time, best-selling products. The incredible ADA8000 features audiophile-grade 24-bit A/D - D/A converters for ultimate signal integrity, optical ADAT in/out interface for ultimate compatibility, and our “Invisible” Mic Preamps – making it the natural choice of professional musicians and audio engineers alike. Your recording tracks will sound just as amazing as you imagined them – when you lay them down with the ADA8000!ADAT-Ready
The ADA8000 is sublimely easy to operate, fits neatly into a single rack space and, thanks to the 8 IMP “Invisible” mic preamps with switchable +48 V Phantom Power and audiophile-grade 24-bit A/D - D/A converters, you get incredibly detailed, pristine performance. Signal conversion takes place at your choice of 44.1 or 48 kHz with full 24-bit resolution. The ADAT Inputs and Outputs can be operated independently, as long as you use an identical wordclock signal. And ADA8000’s operating frequency range is an ultra-wide 10 Hz to 24 kHz – at a very respectable, 48 kHz sampling rate. Put simply, the ULTRAGAIN ADA8000 is the professional’s edge.Outstanding “Invisible” Mic Preamps
The ULTRAGAIN ADA8000 features our ultra-low noise, high-headroom IMP “Invisible” mic preamps, which have been praised by audio professionals all over the world. These studio-grade mic preamps off er a staggering 130 dB of dynamic range, with a bandwidth that extends from below 10 Hz to over 200 kHz, and are perfectly matched to every conceivable microphone – with up to 60 dB gain and a +48 V phantom power supply. Armed with these outstanding mic preamps, the ADA8000 provides exceptionally-transparent and crystal-clear sonic performance – making it the ideal choice for both live sound and studio recording applications.
Behringer DS2800 2-Input 8-Output Distribution Splitter
Feature-packed, Affordable 8-channel Audio Splitter
For your studio, restaurant, or other commercial sound application, audio engineers know that distribution is simply a must-have functionality. With a capable splitter, you can send audio to multiple locations and control the amplitude of the signal from a central device. The Behringer DS2800 Professional 2-Input 8-Output Distribution Splitter is a well-priced but highly functional audio splitter that employs ultra-low-noise servo-balanced line level inputs for a clean, clear audio path. The DS2800's rear-panel Mode button lets you choose one or two channels of input and send those channels in up to eight directions (one in/eight out or two in/four out). You also get separate A and B link output connectors for daisy-chaining multiple DS2800 units or sending your input signal on to a FOH mixer or another distribution point. Each channel has a corresponding front-panel rotary Level control and a 5-segment LED meter that brightly indicates signal activity, so you'll always have precise control over channel amplitudes. Plus, all the XLR input/output connectors are gold-plated for the ultimate in signal transmission clarity and integrity.- Pro-grade audio splitter distributes 1 or 2 audio sources in up to 8 directions
- Choose between 1-in/8-out or 2-in/4-out for mono or stereo operation
- Front-panel rotary Level control and 5-segment LED activity meter for each channel
- Servo-balanced inputs and outputs with low-noise op amps for exceptionally clear audio
- Link A and Link B separate outputs for daisy-chaining units
- All XLR input/output connectors are gold-plated for exceptional signal clarity
- Designed and engineered with German precision for superior functionality and performance
Samson S-combine – Mini 2 To 1 Microphone Combiner
The S-combine takes the inputs of two microphones and combines them into a single microphone level output
- 2-to-1 mic combiner
- Two balanced XLR mic inputs
- Balanced XLR mic output
Behringer FX600 Digital Multi-FX
Digital Multi-effects Pedal with Chorus, Flanger, Phaser, Delay, Tremolo, and Pitch Shifter
Behringer MicroHD HD400 2-Channel Hum Destroyer
Remove Noise from Your Signal
Say goodbye to noisy AC hum and ground loops, with the Behringer HD400 Hum Destroyer. This two-channel solution lets you clean up two mono signals or one stereo signal, and even convert between unbalanced and balanced signals too. Live sound engineers at Behringer have managed countless live shows, and we know that you can never have too many problem solvers in your toolbox. When you find yourself with a noisy audio signal due to AC noise or ground loops, you'll be glad you have the Behringer HD400 Hum Destroyer. Behringer HD400 Hum Destroyer Features at a Glance:- 2-channel hum eliminator and direct box
- Removes hum caused by AC power or ground loops
- Converts between unbalanced and balanced signals, with 1/4" TRS connections
- Completely passive design requires no power supply
- Perfect for using unbalanced equipment with a balanced audio system
Behringer CS100 Compressor Sustainer
Ultimate Dynamics Effects Pedal
COMPRESSOR/SUSTAINER CS100
If tone is the name of your game, the COMPRESSOR/SUSTAINER CS100 will add amazing impact to your tone and provide endless sustain.What’s a Compressor?
Dynamics play an important role in music. They help to convey emotion, whether it’s a sultry blues solo or the unrelenting gallop of unfettered metal. But uncontrolled dynamics can take all your best intentions and turn them into so much, well…mush. That’s where compression comes in, softening loud sounds and boosting low signal levels to keep everything more uniform. So, a compressor’s main job is to make every note the same volume.Balancing Act
Ever notice how some strings on your guitar or bass sound louder than others? This is partly due to physics. Strings with lower mass just don’t put out as much volume as the heavier ones. When used properly, a compressor makes all of the strings the same volume. Compressors are also great for slap-style bass players, making thumb slaps, string pulls and muted notes all the same volume, for an extremely percussive effect.
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PKR 16,500
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BBE 362NR Dual-Channel Sonic Maximizer Noise Reduction (Open Box)
The Sonic Maximizer from BBE has received ecstatic praise from every music recording and DJ magazine we can think of. And with good reason. BBE's near-magical process will give even the deadest recording a sonic kick in the butt! It enhances the sound of any instrument and makes instruments stand out from one another in even the densest mix.
The Sonic Maximizer 362 NR
The 362NR combines a full-featured Sonic Maximizer with an independent, single-ended noise reduction system in a single rack-space unit. How cool can things get? The punch, fullness, and sparkle of the Sonic Maximizer combined with high-quality Noise Reduction in an affordable package - the applications for this baby are endless! Here's one: If you're like a lot of us, you've gone from analog to digital, but a lot of your best taped performances haven't. Use the 362NR to cut the noise and bring out the sound on those old reels or 4-track cassettes. In fact, use it for all your dubbing needs. Put it in your instrument rack if you're a guitarist, bassist, keyboardist, etc. Improve the sound of your digital samples, too. The Noise Reduction and Sonic Maximizer can be used together or separately for maximum flexibility. If you don't need the Noise reduction, check out the other amazing Sonic Maximizer Models.
Applications
Home recording
Pro studios-dubbing, copying of "noisy" source material
Instrument racks for guitar, bass, and keyboards
Improve sampling quality and fidelity
Features
Unbalanced 1/4 in. and RCA inputs and outputs
Dual channel/ganged controls
Threshold control
Detector release time control
BBE Sonic Maximizer and single-ended noise reduction totally independent or can be used together.
Open Box Item
Condition: Like New
Warranty: 7 Days
Behringer Ultra-G GI100 DI-Box
An active DI Box for guitar with fantastic speaker simulation.
The Behringer Ultra-G GI100 DI Box features a switchable speaker simulation that so realistically emulates a 4x12 cab you may never mic your speakers again. Features include switchable input attenuation allowing levels of up to +48dBu, a ground lift switch to eliminate loop problems, and a rugged roadproof aluminum case. An internal battery automatically shuts off when phantom power is connected.
- Realistically emulates a 4x12 cab
- Switchable input attenuation allowing levels of up to +48dBu
- Ground-lift switch to eliminate loop problems
- Rugged roadproof aluminum case
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PKR 25,500
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Behringer DSP1124P Feedback Destroyer Pro (Open Box)
24-Bit Dual Engine Digital Feedback Suppressor/Parametric EQ
Product Features
- Ultra-high performance 2-channel digital feedback suppressor / parametric EQ
- Automatically and "intelligently" locates and destroys up to 12 frequencies per channel
- "Set-and-forget" default setting enables immediate and super-easy performance
- 2 x 12 fully programmable parametric filters that can be set manually or via MIDI
- Auto mode continuously monitors the mix, resetting programmed filters automatically
- Single-shot mode automatically detects and destroys feedback and locks the filter until you reset it manually
- Manual mode allows individual setting of up to 2 x 12 fully parametric filters with frequency, bandwidth and gain adjustment
- 2 digital processing engines provide independent or coupled functions on left and right channels
- Extensive MIDI implementation and user preset memories for storing and instantly recalling programs
- Accurate eight-segment LED level meters for perfect level setting and optimum performance
- Servo-balanced, gold-plated XLR and 1/4" TRS connectors
- High-quality components and exceptionally rugged construction ensure long life
- Designed and engineered in Germany
Behringer DSP1124P Feedback Destroyer Pro
24-Bit Dual Engine Digital Feedback Suppressor/Parametric EQ
Product Features
- Ultra-high performance 2-channel digital feedback suppressor / parametric EQ
- Automatically and "intelligently" locates and destroys up to 12 frequencies per channel
- "Set-and-forget" default setting enables immediate and super-easy performance
- 2 x 12 fully programmable parametric filters that can be set manually or via MIDI
- Auto mode continuously monitors the mix, resetting programmed filters automatically
- Single-shot mode automatically detects and destroys feedback and locks the filter until you reset it manually
- Manual mode allows individual setting of up to 2 x 12 fully parametric filters with frequency, bandwidth and gain adjustment
- 2 digital processing engines provide independent or coupled functions on left and right channels
- Extensive MIDI implementation and user preset memories for storing and instantly recalling programs
- Accurate eight-segment LED level meters for perfect level setting and optimum performance
- Servo-balanced, gold-plated XLR and 1/4" TRS connectors
- High-quality components and exceptionally rugged construction ensure long life
- Designed and engineered in Germany
Behringer Shark FBQ100 Automatic Feedback Destroyer
Kill Feedback Before it Ruins Your Show
The Behringer Shark FBQ100 feedback destroyer is one of the smallest feedback suppressors on the market. With its lightning-quick feedback detection, the FBQ100 will safeguard you and your audiences from feedback. The "search-and-destroy" algorithm automatically pinpoints up to 8 feedback frequencies, then sets ultra-narrow notch filters to knock them out - leaving the rest of your signal untouched. Auto Mode continuously monitors the mix, resetting programmed filters automatically, while the Manual Mode lets you tweak up to 12 parametric filters for frequency, bandwidth and gain. Exterminate feedback effortlessly with the Behringer Shark FBQ100 feedback destroyer. Behringer Shark FBQ100 Feedback Destroyer Features:- Ultra-high performance feedback destroyer
- 24-bit Sigma-Delta converter, 64/128-times oversampling
- Automatically locates and destroys up to 8 feedback frequencies
- Narrow feedback filters for extremely effective feedback suppression
- Set-and-forget default setting enables immediate and super-easy Feedback Destroyer performance
- Learn mode continuously monitors the mix and automatically sets filters
- Balanced 1/4" TRS and XLR inputs and outputs
- High-quality components and exceptionally rugged construction ensure long life
Behringer Eurocom SPL3220 Sound Processor
The Behringer EUROCOM SPL3220 Stereo Multiband Sound Processor provides dependable, seamless full-loudness control without sacrificing the sonic integrity of the sound system, or listening pleasure of the audience.
Behringer SX3040 V2 2-channel Sound Enhancement Processor
2-channel Sound Enhancement Processor with Sonic Exciter and Bass Processor
Behringer DEQ1024 Ultragraph Digital EQ
Eats feedback-causing frequencies and leaves you with clean, balanced sound.
The Behringer DEQ1024 Ultragraph Digital EQ combines digital stereo operation and a powerful 31-band EQ with incredibly simple and effective feedback fighting. The FBQ Feedback Detection System responds quickly, utilizing LEDs in the 45mm faders to indicate the offending frequency. 24/48-bit Motorola DSP and high-resolution 24-bit/96kHz A/D/A converters deliver fantastic sonic resolution. The EQ features operating ranges of ±12dB, ±6dB, and 0/-24dB; 31 illuminated faders; True Curve/WYSIWYG function; sweepable low- and high-cut filters; a noise gate/peak limiter; and pink noise generator. Servo-balanced I/O with gold-plated XLR and 1/4" TRS connectors, plus digital AES/EBU and S/PDIF with 44.1, 48, and 96kHz sample rates. Switchable international power supply.
- 31-band EQ
- FBQ Feedback Detection System
- Digital stereo operation
- 45mm LED-illuminated faders
- 24/48-bit Motorola DSP
- 24-bit/96kHz A/D/A converters
- EQ operating range of ±12dB, ±6dB, or 0/-24dB
- True Curve/WYSIWYG function
- Sweepable low- and high-cut filters
- Noise gate/peak limiter
- Pink noise generator
- Servo-balanced I/O
- Gold-plated XLR and 1/4" TRS connectors
- Digital AES/EBU and S/PDIF I/O with 44.1, 48, and 96kHz sample rates
Lexicon MX200 Dual Reverb/Effects Processor
2 processors, 2 applications, one rackspace.
32 legendary Lexicon effects are packed into the Lexicon MX200 Dual Reverb/Effects Processor, a rackmount processor equipped with USB so it can be used as a software plug-in. It's got raw dual-processor power; instant front-panel access for live performance; and rich, smooth, complex processing algorithms for the studio, as well as specialty effects and dbx dynamics. Every effect and parameter is instantly accessible by a single button push or knob turn, and the powerful editor/librarian software gives you intense, under-the-hood control.
The USB interface provides intuitive cross-platform VST and Audio Unit plug-in control, allowing the MX200 to function as a hardware plug-in. The MX200's processor still handles the processing load, but you control it through your computer, with full automation and recall features. MX-Edit, the included cross-platform editor/librarian software, lets you create, edit, compare, save, and load reverb and effects programs. You can use 2 reverbs or effects at once in one of 4 flexible routing options: dual mono, cascade, dual stereo (parallel), or mono split. There are 99 carefully crafted Factory programs and 99 User programs, front-panel controls for Input Level, Mix 1, and Mix 2 Wet/Dry controls, Routing button, independent Tempo, Bypass, and 3 control knobs for each Processor, Program Select knob, Audition button (to preview the selected effect), and Store button. The front panel Active Reverb/Effects Matrix displays which 2 effects are active, delivers single-control access to all functions, and lets you quick-audition any preset with five settings. Dual independent processor control areas with dedicated Effects Select, Tempo, Bypass, and 3 parameter control knobs provide access and control over critical parameters. LEDs illuminate to indicate any change from the 99 Factory or 99 User Programs.- 16 legendary Lexicon reverbs
- Delays and modulation effects
- dbx dynamics
- Dual-processor design
- 4 routing configurations: dual mono, cascade, dual stereo (parallel), mono split
- 99 factory/99 user programs
- Hardware plug-in feature
- VST and Audio Units plug-in software
- MX-Edit editor/librarian software
- 24-bit/48kHz sample rate
- S/PDIF digital I/O
- 1/4" balanced/unbalanced I/O
Order your MX200 now and open up a world of powerful effects.
Behringer FBQ2496 Feedback Destroyer Pro
24-bit/96kHz feedback suppression with 40 parametric filters.
The FBQ2496 is an incredibly fast feedback suppressor because it uses a speedy feedback detection algorithm that automatically and intelligently locates up to 20 feedback frequencies per channel. It then sets an extremely narrow notch filter to eliminate them, leaving the remainder of the signal virtually untouched.
The auto mode continuously monitors the mix, resetting programmed filters automatically, while the manual mode allows individual settings of up to 40 fully parametric filters with frequency, bandwidth, and gain adjustment. With its various modes you can master just about any live sound situation, or use the Feedback Destroyer Pro as a creative sound-shaping tool.- Automatically and intelligently locates and destroys up to 20 frequencies per channel
- Ultrafast feedback detection (0.2 sec) due to proprietary FFT signal analysis
- Ultra-narrow notch-filters (up to 1/60th octave) for very effective feedback suppression, while keeping highest sonic quality
- The Set-and-forget default setting plus Panic button enable immediate and super-easy Feedback Destroyer performance
- Auto mode continuously monitors the mix, resetting programmed filters automatically
- Single-shot mode automatically detects and destroys feedback and locks the filter until you reset it manually
- Manual mode allows individual setting of up to 40 fully parametric filters with frequency, bandwidth and gain adjustment
- Ultra-high resolution 24—bit/96kHz A/D and D/A converter powered by a 32-bit DSP for ultimate audio performance
- Open MIDI architecture for future software updates and flexible communication with digital equipment
- Balanced inputs and servo-balanced outputs with gold-plated XLR and 1⁄4" TRS connectors
- Internal switch-mode power supply for flexibility (100-240V), good transient response, plus low power consumption for energy savings
- High-quality components and rugged construction
Get rid of that feedback while leaving the rest of your signal virtually untouched, order today!
Behringer Ultra-DI Pro DI4000
Swiss Army Knife DI
The Behringer Ultra-DI Pro DI4000 4-channel Active DI Box gives you four top-shelf DI channels in one rack space. Direct Injection (DI) boxes, of course, let you plug guitars and basses, keyboards, etc. directly into your board. For impedance matching and signal integrity, they're indispensable. The DI4000 is a DI on steroids. With its active circuitry, it sports buffered inputs that won't pollute your signal (as passive DIs can). Boasting a bevy of boost/attenuation, groundlift, and connectivity options, Behringer's Ultra-DI Pro DI4000 is your audio Swiss Army Knife.
- Professional multi-purpose 4-channel direct injection box for stage and studio applications
- Provides impedance and signal matching for direct connection of instruments to mixers and amplifiers
- Fitted with Behringer's OT-1 transformers for ruler-flat frequency response
- Allows direct connection to speaker outputs with up to 3,000W
- +20dB gain switch for preamplification of low-level signals
- Switchable input attenuation allows input levels of up to +40dB
- Phase Reverse switch allows you to instantly correct phase problems
- Switchable high-cut filter (8kHz) for guitar applications
- Ground Lift switch eliminates typical ground loop problems
- Accurate 8-segment LED level meter for optimum performance
- TRS and gold-plated XLR connectors
- Illuminated switches enable operation in dark stage environments
- High-quality components and exceptionally rugged construction ensure long life
Get your audio Swiss Army Knife - Behringer's Ultra-DI Pro DI800!
Behringer FBQ1000 Feedback Destroyer
Destroyer of Feedback
The Behringer FBQ1000 Feedback Destroyer is the fastest feedback suppressor on the market. With its lightning-quick feedback detection, the FBQ1000 will safeguard you and your audiences from feedback. The "search-and-destroy" algorithm automatically pinpoints up to 24 feedback frequencies per channel, then sets ultra-narrow notch filters to knock out feedback frequencies - leaving the rest of your signal untouched. Auto Mode continuously monitors the mix, resetting programmed filters automatically, while the Manual Mode lets you tweak up to 24 parametric filters for frequency, bandwidth and gain. Exterminate feedback effortlessly with the Behringer FBQ1000 Feedback Destroyer .- Automatic and Ultra-Fast Feedback Destroyer/Parametric EQ with 24 FBQ Filters
- Ultra-high performance 2-channel Feedback Destroyer and Parametric EQ
- 24-bit Sigma-Delta converter, 64/128-times oversampling
- Automatically and "intelligently" locates and destroys up to 40 feedback frequencies
- Ultra-narrow FBQ filters for extremely effective feedback suppression, while retaining sonic quality
- Set-and-forget default setting enables immediate and super-easy Feedback Destroyer performance
- Auto mode continuously monitors the mix and automatically sets filters
- Single-shot mode automatically detects and destroys feedback and locks filters until manual reset
- Extensive MIDI implementation and user preset memories for instant program recalls
- Balanced inputs and servo-balanced outputs with 1/4" TRS and gold-plated XLR connectors
- High-quality components and exceptionally rugged construction ensure long life
Behringer Composer Pro-XL MDX2600 V2
Compressor/Gate/Limiter with Tube Emulation
Looking for a multi-tool for stage and studio? The Behringer Composer Pro-XL MDX2600 Compressor is a dual-channel compressor/limiter/expander ready to take on your biggest challenges. The expander increases signal presence and energy, while the compressor minimizes peaks without loss of high frequencies. The switchable Interactive Knee Adaptation (IKA) in the MDX2600 combines the advantages of hard and soft-knee compressors. The integrated de-esser has switchable male/female voice recognition to remove excess sibilance. You can combine both channels for stereo operation, and also turn on the side chain input for monitoring. Switchable tube emulation lets you add warmth to your tracks. Behringer Composer Pro-XL MDX2600 Compressor/Limiter/Expander at a Glance:- LED meter
- Switchable IKA compression
- Dynamic Enhancer
- De-esser
- Side-chain input
- XLR and 1/4" ins and outs
Lexicon MPX 550 24-Bit Dual Channel Processor
The MPX 550 is a true stereo, dual-channel processor with 24-bit internal processing, analog-to-digital conversion, and digital-to-analog conversion. It offers 255 presets with classic Lexicon reverb, including Tremolo, Rotary, Chorus, Flange, Pitch, Detune, 5.5 second Delay, Echo, and Compression. Dual-channel processing creates two independent effects in Dual Stereo (Parallel), Cascade, Mono Split, and Dual Mono combinations.
Behringer Super-X Pro CX3400 V2 Multi-channel Crossover with Limiters
Stereo 2- and 3-way, Mono 4-way Crossover with Limiters, Adjustable Time Delays, and CD Horn Correction
Behringer Multicom Pro-XL MDX4600 V2
Four Channels of Pro-tested Dynamics
Harnessing the same dynamics control as Behringer's popular 2-channel Composer Pro-XL MDX2600, the 4-channel Multicom Pro-XL MDX4600 V2 is one of the most cost-effective expander/gate/compressor/limiters you're going to find. Its Interactive Knee Adaptation (IKA) circuit keeps compression smooth and transparent, while Interactive Ratio Control (IRC) adds elegant subtlety to gate/expander functions. Stereo linking between channels 1/2 and 3/4 is super useful for bus processing, and the Multicom Pro-XL MDX4600 V2 even gives you switchable dynamic enhancement to add extra life to your content.Time-tested Compression and Limiting
Generations of music producers and audio engineers have relied on Behringer's Composer compressor/limiter models to reach their ideal sound. In fact, it's one of the industry's secret weapons. This Multicom Pro-XL MDX4600 V2 includes four channels of that very same dynamics processing, complete with the acclaimed Interactive Knee Adaptation (IKA) circuit. This soft-knee processor adjusts the compression ratio on the fly, clamping down entirely only when your signal gets really hot. The result is super clean and super smooth—perfect for ironing out vocals, especially when you combine it with the Multicom Pro-XL MDX4600 V2's switchable low contour filter.Set-and-forget Expander and Gate
Expanders and gates can be incredibly useful, but they tend to be temperamental. Get your expander/gate dialed in perfectly, and it all goes belly up when the average level changes just a bit. Behringer's Interactive Ratio Control (IRC) lets the Multicom Pro-XL MDX4600 V2 stay one step ahead of your material, adjusting instantly to keep your signal noise free, without cutting off your transients.Loaded with Useful Extras
There's a lot more to the Multicom Pro-XL MDX4600 V2 than basic dynamics management. For instance, while some compression (especially heavy compression) can leave your material sounding a little flat, the Multicom Pro-XL MDX4600 V2 won't let you down. Its switchable dynamic enhancer adds life and vitality to your material, no matter how hard you lay on the compression. Need to process stereo material? With its independent stereo links, you can convert the first two and the second two channels into stereo pairs. Top it off with separate 8-segment LED meters, selectable input levels, and high-quality components including servo-balanced I/O, and you can see just how much value the Multicom Pro-XL MDX4600 V2 has to offer.
Behringer Multicom Pro-XL MDX4600 V2 Dynamics Processor Features:
- Fully loaded 4-channel dynamics processor
- Each channel features compressor, limiter, expander, and gate functions
- Switchable IKA (Interactive Knee Adaptation) program-adaptive circuitry combines the advantages of hard-knee and soft-knee compression
- IRC (Interactive Ratio Control) expander/gate circuitry offers transparent noise suppression that won't kill your transients
- Switchable dynamic Enhancer keeps audio bright and vibrant, even with heavy compression
- IGC (Interactive Gain Control) peak limiting circuitry combines clipper and limiter functions for clean and discreet protection against signal peaks
- Switchable low-contour filter prevents pumping due to heavy bass
- Stereo couple function selectable for channels 1/2 and 3/4
- Separate 8-segment LED meters let you keep an eye on input and output levels for monitoring gain reduction
- Selectable operating level (+4 dBu/-10 dBV)
- Servo-balanced inputs and outputs include 1/4" TRS and gold-plated XLR connectors
- High-quality components and exceptionally rugged construction ensure long life
Behringer Ultracurve Pro DEQ2496 2-channel Equalizer and Mastering Processor
24-bit/96kHz Equalizer, Analyzer, Feedback Destroyer and Mastering Processor with 4 EQ Modules, Dynamics, Digital Delay, Feedback Destroyer, and FFT Analyzer
Behringer Ultra-Drive Pro DCX2496
Digital 24-Bit/96 kHz Loudspeaker Management System With Four Mono/Stereo Operating Modes, Adjustable Delays, and Output Channel Limiters