Processors/Limiters
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DigiTech Vocalist Live 2 Harmony Processor
Smarter than your average harmony pedal.
The DigiTech Vocalist Live 2 Harmony Processor uses breakthrough musIQ technology to directly analyze the output of any electric or pre-amplified acoustic guitar (no special MIDI guitars or hex-outputs needed). Then it generates the correct vocal harmony. For example, if you're singing an A over the chords that are generally found in the key of G, Vocalist will harmonize with a C. But, if you then play an A major, the Digitech Vocalist will shift to the C#...because like any good harmony singer, it listens to the guitar!
- 2-part vocal harmony with no programming — just sing, play and let Vocalist Live 2's groundbreaking MusIQ technology do the rest
- Selectable voicing: unison, 3rd, 5th-above or below your lead vocal
- Vocal enhancement effects matrix with separate
- Compressor, Reverb and EQ/Enhance controls
- Separate Harmony and Effects pedals
- On-board guitar tuner
- XLR mic /line input with level adjustment, low-noise preamp and 48V phantom power
- 1/4" guitar input, 1/4" guitar pass-through and Guitar Ground Lift switch
- Stereo 1/8" line out and mono XLR line out
- Road-rugged, all-metal chassis
- Power supply included
Order the Vocalist Live 2 today and add backup singers who work for free.
Behringer Super-X Pro CX3400
This Crossover Is Ready for Any Rig
The Behringer Super-X Pro CX3400 is a fully versatile crossover that's perfect for any professional live sound rig. The CX3400 is capable of either 2-way or 3-way stereo, or 4-way mono operation. Equipped with 24dB/octave Linkwitz-Riley filters, the CX3400 gives you the steep crossover bands you demand. Each output features an independent level control and phase inversion switch. For use with a subwoofer, the CX3400 also includes a low-frequency output summing option. For the flexibility you need in configuring your PA system, check out the Behringer Super-X Pro CX3400.- Featuring state-of-the-art Linkwitz-Riley filters with 24 dB/octave
- Individual Limiters on each output for optimal loudspeaker protection
- Adjustable time delay for phase alignment between drivers
- CD horn equalization for constant directivity horn compensation
- Absolutely flat summed amplitude response, zero phase difference
- "Low Sum" function provides mono output for subwoofer operation
- Individual output Gain controls for all bands
- Individual output Mute switches for easy band adjustment
- Individual Phase reverse switches for instant phase correction
- Switchable 25 Hz Low cut filter on each input for low-frequency driver protection
- Servo-balanced and gold-plated XLR connectors for all inputs and outputs
- Ultra-high precision potentiometers for ultimate accuracy and repeatability
- Illuminated switches for secure operation in dark stage environments
- Shielded toroidal mains transformer for minimal noise interference
- High-quality components and exceptionally rugged construction ensure long life
Behringer DD600 Digital Delay
Sweet delay at a super sweet price.
The Behringer DD600 Digital Delay effects pedal is the ultimate digital delay effects pedal for subtle to substantial echo delays. The DD600 stomp box has dedicated Mode, Delay Time, Feedback and Level controls for awesome sound shaping, which results in 24-bit high-resolution stereo delay, echo and panning effects with delay times of up to 2000 milliseconds. Modes include 4 tempo settings, 4 delay settings (exclusive of delay time), E/D and Reverse. The featured Real Sound Modeling (RSM) processor emulates true acoustic environments, delivering ultra-realistic sound to your ears. Other features include an extra PAN OUT output, a bright blue LED to indicate the power status and battery condition as well as an electronic bypass footswitch, which preserves signal integrity. The Behringer PSU-SB DC power supply or a typical 9 V battery can be used to operate the DD600 pedal.
- 11 modes—comparable to state-of-the-art studio processors
- Real Sound Modeling (RSM) combines state-of-the-art DSP technology with sophisticated algorithms to emulate real acoustic environments
- 24-bit high-resolution stereo delay/echo/panning with delay time up to 2 s
- Dedicated Mode, Delay Time, Feedback and Level controls
- Status LED for effect on/off and battery check
- Runs on 9 V battery or the Behringer PSU-SB DC power supply (not included)
- First-class electronic On/Off switch for highest signal integrity in bypass mode
- High-quality components and exceptionally rugged construction
Behringer DD400 Digital Delay
The 7 modes are comparable to state-of-the-art studio processors.
The Behringer Digital Delay DD400 effects pedal has an obsession with the past—the last 1.3 seconds of it, to be exact. The Behringer Digital Delay will sing the fading, ghostly praises of every note you squeeze from your guitar. With seven modes of delay to choose from, there is a vast palette of echoes to explore with the DD400. Take advantage of its full 1.3-second memory or scale it back for a more abrupt echo. Just twist the dedicated Mode, Time, Feedback and Level controls to create the delay of your dreams. There is also a HOLD mode that allows you to loop a brief riff, then play over it. The blue LED tells you when it’s on, and the first-class on/off switch maintains incredible signal integrity in bypass mode. You can power the DD400 with a 9 V battery or a DC power adapter.
- Mode, Time, Feedback and Level controls
- 24-bit high-resolution stereo delay/echo
- Delay time up to 1.3 seconds
- Tap tempo feature
- Blue status LED for On/Off and battery check
- First-class electronic On/Off switch
- Exceptionally rugged construction ensures long life
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TC-Helicon VoiceTone Harmony-M USED!
- Two voice 4th generation intelligent harmony
- Separate Double effect using overdub algorithm
- Tone switch engages adaptive Live Engineer Effects
- 6 factory reverb/delay combinations for rich vocals
- 10 presets each with A/B location
- Harmony Arrangement algorithm listens to MIDI input and voice to follow your music
- Flexible harmony voicing including unique bass setting
- Includes classic "Notes" and "Chord" harmony control modes
- 1/4" TRS mic level I/O in stereo or mono
- Clean, studio quality mic preamp with phantom power
- MIDI input
- Input for optional footswitch allows Harmony-M placement on keyboard
Behringer DR400 Digital Reverb/Delay
Long Delays and Deep Reverbs in a Sinlge Pedal
Dial up lush reverb and precise delays with Behringer's Digital Reverb/Delay DR400 effect pedal. This powerful, digital pedal lets you dial up four types of reverbs and three lengths of delays for use separately or together. This lets you create lush soundscapes for cool musical textures, tight sounds designed for shred solos, and everything in between. Dual outputs lets you run your signal in mono or feed it to another amplifier for a huge stereo sound - a favorite setup among Sweetwater guitar players. Grab the Behringer Digital Reverb/Delay DR400 effect pedal and broaden your sonic palette today!- 24-bit stereo reverbs and delays in a single pedal
- Stereo output for feeding your signal to two amplifiers
- Use reverb and delay by themselves or together
- Delay times go from 32ms to 2000ms
- Reverb types include small room, big room, concert hall, and plate reverb
- Status LED tells you when the pedal is in use
- Powered by a 9V battery or DC adapter
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Behringer DS2800 2-Input 8-Output Distribution Splitter
8-channel Active Line-level Audio Splitter with Gold-plated Connectors
Samson S-combine – Mini 2 To 1 Microphone Combiner
The S-combine takes the inputs of two microphones and combines them into a single microphone level output
- 2-to-1 mic combiner
- Two balanced XLR mic inputs
- Balanced XLR mic output
Behringer FX600 Digital Multi-FX
Digital Multi-effects Pedal with Chorus, Flanger, Phaser, Delay, Tremolo, and Pitch Shifter
Behringer Ultra-G GI100 DI-Box
An active DI Box for guitar with fantastic speaker simulation.
The Behringer Ultra-G GI100 DI Box features a switchable speaker simulation that so realistically emulates a 4x12 cab you may never mic your speakers again. Features include switchable input attenuation allowing levels of up to +48dBu, a ground lift switch to eliminate loop problems, and a rugged roadproof aluminum case. An internal battery automatically shuts off when phantom power is connected.
- Realistically emulates a 4x12 cab
- Switchable input attenuation allowing levels of up to +48dBu
- Ground-lift switch to eliminate loop problems
- Rugged roadproof aluminum case
BBE 362NR Dual-Channel Sonic Maximizer Noise Reduction (Open Box)
The Sonic Maximizer from BBE has received ecstatic praise from every music recording and DJ magazine we can think of. And with good reason. BBE's near-magical process will give even the deadest recording a sonic kick in the butt! It enhances the sound of any instrument and makes instruments stand out from one another in even the densest mix.
The Sonic Maximizer 362 NR
The 362NR combines a full-featured Sonic Maximizer with an independent, single-ended noise reduction system in a single rack-space unit. How cool can things get? The punch, fullness, and sparkle of the Sonic Maximizer combined with high-quality Noise Reduction in an affordable package - the applications for this baby are endless! Here's one: If you're like a lot of us, you've gone from analog to digital, but a lot of your best taped performances haven't. Use the 362NR to cut the noise and bring out the sound on those old reels or 4-track cassettes. In fact, use it for all your dubbing needs. Put it in your instrument rack if you're a guitarist, bassist, keyboardist, etc. Improve the sound of your digital samples, too. The Noise Reduction and Sonic Maximizer can be used together or separately for maximum flexibility. If you don't need the Noise reduction, check out the other amazing Sonic Maximizer Models.
Applications
Home recording
Pro studios-dubbing, copying of "noisy" source material
Instrument racks for guitar, bass, and keyboards
Improve sampling quality and fidelity
Features
Unbalanced 1/4 in. and RCA inputs and outputs
Dual channel/ganged controls
Threshold control
Detector release time control
BBE Sonic Maximizer and single-ended noise reduction totally independent or can be used together.
Behringer Shark FBQ100 Automatic Feedback Destroyer
Kill Feedback Before it Ruins Your Show
The Behringer Shark FBQ100 feedback destroyer is one of the smallest feedback suppressors on the market. With its lightning-quick feedback detection, the FBQ100 will safeguard you and your audiences from feedback. The "search-and-destroy" algorithm automatically pinpoints up to 8 feedback frequencies, then sets ultra-narrow notch filters to knock them out - leaving the rest of your signal untouched. Auto Mode continuously monitors the mix, resetting programmed filters automatically, while the Manual Mode lets you tweak up to 12 parametric filters for frequency, bandwidth and gain. Exterminate feedback effortlessly with the Behringer Shark FBQ100 feedback destroyer. Behringer Shark FBQ100 Feedback Destroyer Features:- Ultra-high performance feedback destroyer
- 24-bit Sigma-Delta converter, 64/128-times oversampling
- Automatically locates and destroys up to 8 feedback frequencies
- Narrow feedback filters for extremely effective feedback suppression
- Set-and-forget default setting enables immediate and super-easy Feedback Destroyer performance
- Learn mode continuously monitors the mix and automatically sets filters
- Balanced 1/4" TRS and XLR inputs and outputs
- High-quality components and exceptionally rugged construction ensure long life
Behringer Ultra-DI Pro DI4000
Swiss Army Knife DI
The Behringer Ultra-DI Pro DI4000 4-channel Active DI Box gives you four top-shelf DI channels in one rack space. Direct Injection (DI) boxes, of course, let you plug guitars and basses, keyboards, etc. directly into your board. For impedance matching and signal integrity, they're indispensable. The DI4000 is a DI on steroids. With its active circuitry, it sports buffered inputs that won't pollute your signal (as passive DIs can). Boasting a bevy of boost/attenuation, groundlift, and connectivity options, Behringer's Ultra-DI Pro DI4000 is your audio Swiss Army Knife.
- Professional multi-purpose 4-channel direct injection box for stage and studio applications
- Provides impedance and signal matching for direct connection of instruments to mixers and amplifiers
- Fitted with Behringer's OT-1 transformers for ruler-flat frequency response
- Allows direct connection to speaker outputs with up to 3,000W
- +20dB gain switch for preamplification of low-level signals
- Switchable input attenuation allows input levels of up to +40dB
- Phase Reverse switch allows you to instantly correct phase problems
- Switchable high-cut filter (8kHz) for guitar applications
- Ground Lift switch eliminates typical ground loop problems
- Accurate 8-segment LED level meter for optimum performance
- TRS and gold-plated XLR connectors
- Illuminated switches enable operation in dark stage environments
- High-quality components and exceptionally rugged construction ensure long life
Get your audio Swiss Army Knife - Behringer's Ultra-DI Pro DI800!
Behringer Eurocom SPL3220 Sound Processor
The Behringer EUROCOM SPL3220 Stereo Multiband Sound Processor provides dependable, seamless full-loudness control without sacrificing the sonic integrity of the sound system, or listening pleasure of the audience.
Behringer SX3040 V2 2-channel Sound Enhancement Processor
2-channel Sound Enhancement Processor with Sonic Exciter and Bass Processor
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Behringer DSP1124P Feedback Destroyer Pro
24-Bit Dual Engine Digital Feedback Suppressor/Parametric EQ
Product Features
- Ultra-high performance 2-channel digital feedback suppressor / parametric EQ
- Automatically and "intelligently" locates and destroys up to 12 frequencies per channel
- "Set-and-forget" default setting enables immediate and super-easy performance
- 2 x 12 fully programmable parametric filters that can be set manually or via MIDI
- Auto mode continuously monitors the mix, resetting programmed filters automatically
- Single-shot mode automatically detects and destroys feedback and locks the filter until you reset it manually
- Manual mode allows individual setting of up to 2 x 12 fully parametric filters with frequency, bandwidth and gain adjustment
- 2 digital processing engines provide independent or coupled functions on left and right channels
- Extensive MIDI implementation and user preset memories for storing and instantly recalling programs
- Accurate eight-segment LED level meters for perfect level setting and optimum performance
- Servo-balanced, gold-plated XLR and 1/4" TRS connectors
- High-quality components and exceptionally rugged construction ensure long life
- Designed and engineered in Germany
Lexicon MX200 Dual Reverb/Effects Processor
2 processors, 2 applications, one rackspace.
32 legendary Lexicon effects are packed into the Lexicon MX200 Dual Reverb/Effects Processor, a rackmount processor equipped with USB so it can be used as a software plug-in. It's got raw dual-processor power; instant front-panel access for live performance; and rich, smooth, complex processing algorithms for the studio, as well as specialty effects and dbx dynamics. Every effect and parameter is instantly accessible by a single button push or knob turn, and the powerful editor/librarian software gives you intense, under-the-hood control.
The USB interface provides intuitive cross-platform VST and Audio Unit plug-in control, allowing the MX200 to function as a hardware plug-in. The MX200's processor still handles the processing load, but you control it through your computer, with full automation and recall features. MX-Edit, the included cross-platform editor/librarian software, lets you create, edit, compare, save, and load reverb and effects programs. You can use 2 reverbs or effects at once in one of 4 flexible routing options: dual mono, cascade, dual stereo (parallel), or mono split. There are 99 carefully crafted Factory programs and 99 User programs, front-panel controls for Input Level, Mix 1, and Mix 2 Wet/Dry controls, Routing button, independent Tempo, Bypass, and 3 control knobs for each Processor, Program Select knob, Audition button (to preview the selected effect), and Store button. The front panel Active Reverb/Effects Matrix displays which 2 effects are active, delivers single-control access to all functions, and lets you quick-audition any preset with five settings. Dual independent processor control areas with dedicated Effects Select, Tempo, Bypass, and 3 parameter control knobs provide access and control over critical parameters. LEDs illuminate to indicate any change from the 99 Factory or 99 User Programs.- 16 legendary Lexicon reverbs
- Delays and modulation effects
- dbx dynamics
- Dual-processor design
- 4 routing configurations: dual mono, cascade, dual stereo (parallel), mono split
- 99 factory/99 user programs
- Hardware plug-in feature
- VST and Audio Units plug-in software
- MX-Edit editor/librarian software
- 24-bit/48kHz sample rate
- S/PDIF digital I/O
- 1/4" balanced/unbalanced I/O
Order your MX200 now and open up a world of powerful effects.
Behringer Virtualizer 3D FX2000
A Flexible Effects Processor
We are always looking for ways to make our performances leave a lasting impression, the Behringer Virtualizer 3D FX2000 gives you the tools you need to knock the audiences socks off. This multi-effects processor features Behringer's Real Sound Modeling stereo and 3D effects. These effects will make your audience sit up and take notice with lush reverbs and delays. With 100 presets and 100 user memories you will be able to create the perfect resets to recall at anytime. Effects include reverbs, amp simulation, delays, modulation effects, and even psychoacoustics processing. Behringer Virtualizer 3D FX2000 Effects Processor at a Glance:- Robust input and output options
- High-performance multi-effects processor
- Balances XLR and TRS inputs and outputs
- Extensive MIDI Implementation
- High-performance Multi-effects Processor
- 24-bit AD/DA with 64/128 times oversampling
- 100 presets and 100 user presets
Behringer DEQ1024 Ultragraph Digital EQ
Eats feedback-causing frequencies and leaves you with clean, balanced sound.
The Behringer DEQ1024 Ultragraph Digital EQ combines digital stereo operation and a powerful 31-band EQ with incredibly simple and effective feedback fighting. The FBQ Feedback Detection System responds quickly, utilizing LEDs in the 45mm faders to indicate the offending frequency. 24/48-bit Motorola DSP and high-resolution 24-bit/96kHz A/D/A converters deliver fantastic sonic resolution. The EQ features operating ranges of ±12dB, ±6dB, and 0/-24dB; 31 illuminated faders; True Curve/WYSIWYG function; sweepable low- and high-cut filters; a noise gate/peak limiter; and pink noise generator. Servo-balanced I/O with gold-plated XLR and 1/4" TRS connectors, plus digital AES/EBU and S/PDIF with 44.1, 48, and 96kHz sample rates. Switchable international power supply.
- 31-band EQ
- FBQ Feedback Detection System
- Digital stereo operation
- 45mm LED-illuminated faders
- 24/48-bit Motorola DSP
- 24-bit/96kHz A/D/A converters
- EQ operating range of ±12dB, ±6dB, or 0/-24dB
- True Curve/WYSIWYG function
- Sweepable low- and high-cut filters
- Noise gate/peak limiter
- Pink noise generator
- Servo-balanced I/O
- Gold-plated XLR and 1/4" TRS connectors
- Digital AES/EBU and S/PDIF I/O with 44.1, 48, and 96kHz sample rates
Behringer Super-X Pro CX3400 V2 Multi-channel Crossover with Limiters
Stereo 2- and 3-way, Mono 4-way Crossover with Limiters, Adjustable Time Delays, and CD Horn Correction
Behringer Composer Pro-XL MDX2600 V2
Compressor/Gate/Limiter with Tube Emulation
Looking for a multi-tool for stage and studio? The Behringer Composer Pro-XL MDX2600 Compressor is a dual-channel compressor/limiter/expander ready to take on your biggest challenges. The expander increases signal presence and energy, while the compressor minimizes peaks without loss of high frequencies. The switchable Interactive Knee Adaptation (IKA) in the MDX2600 combines the advantages of hard and soft-knee compressors. The integrated de-esser has switchable male/female voice recognition to remove excess sibilance. You can combine both channels for stereo operation, and also turn on the side chain input for monitoring. Switchable tube emulation lets you add warmth to your tracks. Behringer Composer Pro-XL MDX2600 Compressor/Limiter/Expander at a Glance:- LED meter
- Switchable IKA compression
- Dynamic Enhancer
- De-esser
- Side-chain input
- XLR and 1/4" ins and outs
Behringer FBQ1000 Feedback Destroyer
Destroyer of Feedback
The Behringer FBQ1000 Feedback Destroyer is the fastest feedback suppressor on the market. With its lightning-quick feedback detection, the FBQ1000 will safeguard you and your audiences from feedback. The "search-and-destroy" algorithm automatically pinpoints up to 24 feedback frequencies per channel, then sets ultra-narrow notch filters to knock out feedback frequencies - leaving the rest of your signal untouched. Auto Mode continuously monitors the mix, resetting programmed filters automatically, while the Manual Mode lets you tweak up to 24 parametric filters for frequency, bandwidth and gain. Exterminate feedback effortlessly with the Behringer FBQ1000 Feedback Destroyer .- Automatic and Ultra-Fast Feedback Destroyer/Parametric EQ with 24 FBQ Filters
- Ultra-high performance 2-channel Feedback Destroyer and Parametric EQ
- 24-bit Sigma-Delta converter, 64/128-times oversampling
- Automatically and "intelligently" locates and destroys up to 40 feedback frequencies
- Ultra-narrow FBQ filters for extremely effective feedback suppression, while retaining sonic quality
- Set-and-forget default setting enables immediate and super-easy Feedback Destroyer performance
- Auto mode continuously monitors the mix and automatically sets filters
- Single-shot mode automatically detects and destroys feedback and locks filters until manual reset
- Extensive MIDI implementation and user preset memories for instant program recalls
- Balanced inputs and servo-balanced outputs with 1/4" TRS and gold-plated XLR connectors
- High-quality components and exceptionally rugged construction ensure long life
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PKR 39,000
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Behringer Ultragain Pro-8 Digital ADA8000
Audiophile 8 Channel A/D and D/A Converter with Premium Mic Preamplifiers and ADAT Interface
Behringer Multicom Pro-XL MDX4600 V2
Four Channels of Pro-tested Dynamics
Harnessing the same dynamics control as Behringer's popular 2-channel Composer Pro-XL MDX2600, the 4-channel Multicom Pro-XL MDX4600 V2 is one of the most cost-effective expander/gate/compressor/limiters you're going to find. Its Interactive Knee Adaptation (IKA) circuit keeps compression smooth and transparent, while Interactive Ratio Control (IRC) adds elegant subtlety to gate/expander functions. Stereo linking between channels 1/2 and 3/4 is super useful for bus processing, and the Multicom Pro-XL MDX4600 V2 even gives you switchable dynamic enhancement to add extra life to your content.Time-tested Compression and Limiting
Generations of music producers and audio engineers have relied on Behringer's Composer compressor/limiter models to reach their ideal sound. In fact, it's one of the industry's secret weapons. This Multicom Pro-XL MDX4600 V2 includes four channels of that very same dynamics processing, complete with the acclaimed Interactive Knee Adaptation (IKA) circuit. This soft-knee processor adjusts the compression ratio on the fly, clamping down entirely only when your signal gets really hot. The result is super clean and super smooth—perfect for ironing out vocals, especially when you combine it with the Multicom Pro-XL MDX4600 V2's switchable low contour filter.Set-and-forget Expander and Gate
Expanders and gates can be incredibly useful, but they tend to be temperamental. Get your expander/gate dialed in perfectly, and it all goes belly up when the average level changes just a bit. Behringer's Interactive Ratio Control (IRC) lets the Multicom Pro-XL MDX4600 V2 stay one step ahead of your material, adjusting instantly to keep your signal noise free, without cutting off your transients.Loaded with Useful Extras
There's a lot more to the Multicom Pro-XL MDX4600 V2 than basic dynamics management. For instance, while some compression (especially heavy compression) can leave your material sounding a little flat, the Multicom Pro-XL MDX4600 V2 won't let you down. Its switchable dynamic enhancer adds life and vitality to your material, no matter how hard you lay on the compression. Need to process stereo material? With its independent stereo links, you can convert the first two and the second two channels into stereo pairs. Top it off with separate 8-segment LED meters, selectable input levels, and high-quality components including servo-balanced I/O, and you can see just how much value the Multicom Pro-XL MDX4600 V2 has to offer.
Behringer Multicom Pro-XL MDX4600 V2 Dynamics Processor Features:
- Fully loaded 4-channel dynamics processor
- Each channel features compressor, limiter, expander, and gate functions
- Switchable IKA (Interactive Knee Adaptation) program-adaptive circuitry combines the advantages of hard-knee and soft-knee compression
- IRC (Interactive Ratio Control) expander/gate circuitry offers transparent noise suppression that won't kill your transients
- Switchable dynamic Enhancer keeps audio bright and vibrant, even with heavy compression
- IGC (Interactive Gain Control) peak limiting circuitry combines clipper and limiter functions for clean and discreet protection against signal peaks
- Switchable low-contour filter prevents pumping due to heavy bass
- Stereo couple function selectable for channels 1/2 and 3/4
- Separate 8-segment LED meters let you keep an eye on input and output levels for monitoring gain reduction
- Selectable operating level (+4 dBu/-10 dBV)
- Servo-balanced inputs and outputs include 1/4" TRS and gold-plated XLR connectors
- High-quality components and exceptionally rugged construction ensure long life
Behringer FBQ2496 Feedback Destroyer Pro
24-bit/96kHz feedback suppression with 40 parametric filters.
The FBQ2496 is an incredibly fast feedback suppressor because it uses a speedy feedback detection algorithm that automatically and intelligently locates up to 20 feedback frequencies per channel. It then sets an extremely narrow notch filter to eliminate them, leaving the remainder of the signal virtually untouched.
The auto mode continuously monitors the mix, resetting programmed filters automatically, while the manual mode allows individual settings of up to 40 fully parametric filters with frequency, bandwidth, and gain adjustment. With its various modes you can master just about any live sound situation, or use the Feedback Destroyer Pro as a creative sound-shaping tool.- Automatically and intelligently locates and destroys up to 20 frequencies per channel
- Ultrafast feedback detection (0.2 sec) due to proprietary FFT signal analysis
- Ultra-narrow notch-filters (up to 1/60th octave) for very effective feedback suppression, while keeping highest sonic quality
- The Set-and-forget default setting plus Panic button enable immediate and super-easy Feedback Destroyer performance
- Auto mode continuously monitors the mix, resetting programmed filters automatically
- Single-shot mode automatically detects and destroys feedback and locks the filter until you reset it manually
- Manual mode allows individual setting of up to 40 fully parametric filters with frequency, bandwidth and gain adjustment
- Ultra-high resolution 24—bit/96kHz A/D and D/A converter powered by a 32-bit DSP for ultimate audio performance
- Open MIDI architecture for future software updates and flexible communication with digital equipment
- Balanced inputs and servo-balanced outputs with gold-plated XLR and 1⁄4" TRS connectors
- Internal switch-mode power supply for flexibility (100-240V), good transient response, plus low power consumption for energy savings
- High-quality components and rugged construction
Get rid of that feedback while leaving the rest of your signal virtually untouched, order today!
Behringer Ultra-Drive Pro DCX2496
Digital 24-Bit/96 kHz Loudspeaker Management System With Four Mono/Stereo Operating Modes, Adjustable Delays, and Output Channel Limiters
Behringer Ultracurve Pro DEQ2496 2-channel Equalizer and Mastering Processor
24-bit/96kHz Equalizer, Analyzer, Feedback Destroyer and Mastering Processor with 4 EQ Modules, Dynamics, Digital Delay, Feedback Destroyer, and FFT Analyzer