Musical Instruments

The JOYO JF-35 pocket metal sounds like a Randall on roids. The pocket metal is suited for metal and does fine in a hard rock setting as well. One really great feature is the pedal isn't noisy at volume. That's thanks to the quality components, such as the quarter inch input and output jacks, a clean DC power circuit 9 volt DC battery included and other parts of quality including the capacitors, resistors and of course, smooth pots volume and tone knobs. Speaking of which, the JF-35 has a unique mid-range control adjustment, as this frequency range is of more concern in heavy metal than the highs are. Scoop or add grit, just by making a quick adjustment on the huge bright white knob. All told the JF-35 from JOYO audio gets the job done and leaves you with spending cash to invest in strings, cables and all the other essential gear that it takes to make great music. The pocket metal distortion pedal will inspire you and afford you with that modern metal crunch.

Danelectro D-1 FAB is a fat and warm vintage distortion pedal, priced for players. In the late '70s a tiny effects maker in Japan produced a small quantity of what many believe is the definitive distortion box. It had delicious tonality and was highly responsive and versatile. Danelectro offers you the D-1 Fab Distortion as a sonic equivalent to the prized original. It's equipped with Level, Tone, and Distortion controls. You'll adore it. Features:

• Warm vintage distortion
• Responsive
• Versatile
• Level, Tone, and Distortion knobs
• The FAB Distortion is a ground distortion that produces the distortion sound of the legendary 70's.

NUX Monterey Vibe, born to recreate the grand, yet complex, psychedelic rock guitar sound of the 1960's and 70's. It features all of the classic Uni-vibe style selections: Chorus, Rotary-Speaker, and Phaser pedal. We modernized the original 4 stage phaser circuit ( a pulsating bulb surrounded by 4 photo-resistors ) by  replacing it with a powerful 32Bit floating DSP to process our custom algorithm.  What was the outcome?  A perfect mimic of the complex physical-phenomena of its original analog circuitry. NUX Monterey Vibe generates a truly unique effect tone; a mix of chorus, tremolo, rotary, and phaser. This unique tone can be found in Pink Floyd’s ‘Breathe’, Robin Trower’s ‘Bridge of Sighs’, and the haunting audio mood created for ‘Machine Gun’ by Jimi Hendrix. The earliest Uni-Vibe effect pedal came out in the 1960‘s.  Cutting-edge guitarists were seeking a replacement for the heavy rotary speaker amplifier--configured from a standard amplifier for the electronic pipe organ.  The original Leslie speakers did have a charm of their own, but it was more than compensated for by gaining the phaser effect, and the ease-of-use of a simple pedal configuration. Just like the traditional Uni-Vibe pedal, you can switch between Chorus ( the Uni-vibe effect ) or Vibrato, by simply holding the foot-switch.  In Chorus mode, the mix of Phaser and dry guitar signals produces a classic Rotary sound.  In Vibrato mode,  your pitch modulates between high and low.   Both modes yield a rich, vintage vibe at any speed, intensity, or volume.

Mini High Gain Monster

Inspired by legendary high gain amp stacks, and adding a wide dynamic range, high definition sound, and flexible onboard controls, the Morpher delivers a huge modern high gain distortion sound suitable for both shredding and riffing. Get those full stack amplifier distortion tones. Maintaining a natural sound, there will be no overhyped frequencies, no muddy bass, and no excessive mids with this pedal. This high-gain distortion pedal has excellent dynamic response and high signal definition especially suited for lead guitar. There are three function knobs: LEVEL, TONE and GAIN. LEVEL is used to set the distortion volume. TONE is to set the brightness of your tone. GAIN is used to set degree of distortion. There are three distortion models: Natural, Tight, and Classic.