Musical Instruments

Create classically lush, liquid textures with the most affordable price. Rate, Tone, and Depth controls, as well as knobs for cutting High and Low frequencies allow ultimate tone control. You can save your presets with using T-Lock switch and  protect your sound against any accidents while you perform on the stage. Also you can carry your presets everywhere with "save your parameters as preset" option to recall your settings whenever you want

TOMSLINE APE3S MICHAEL ANGELO BATIO SIGNATURE SERIES – DELAY Amazing Sound and Versatility in a small package. Boutique Quality Sound and Construction for a FRACTION of the price! FEATURES APE-3S Pure Echo, Signature Michael Angelo Batio digital delay mini pedal Digital delay level,regen and time control 3 options of echo, mod and normal True bypass

The Ultimate Compressor is a true analog pedal which captures warm, studio like tones. Note: Please use a power adapter with a voltage of DC9V, an internal negative and external positive polarity and a current of 500mA or more to power your pedal. Failure to do so can cause serious situations where the product does not work or is damaged.

The JOYO JF-35 pocket metal sounds like a Randall on roids. The pocket metal is suited for metal and does fine in a hard rock setting as well. One really great feature is the pedal isn't noisy at volume. That's thanks to the quality components, such as the quarter inch input and output jacks, a clean DC power circuit 9 volt DC battery included and other parts of quality including the capacitors, resistors and of course, smooth pots volume and tone knobs. Speaking of which, the JF-35 has a unique mid-range control adjustment, as this frequency range is of more concern in heavy metal than the highs are. Scoop or add grit, just by making a quick adjustment on the huge bright white knob. All told the JF-35 from JOYO audio gets the job done and leaves you with spending cash to invest in strings, cables and all the other essential gear that it takes to make great music. The pocket metal distortion pedal will inspire you and afford you with that modern metal crunch.

Danelectro D-1 FAB is a fat and warm vintage distortion pedal, priced for players. In the late '70s a tiny effects maker in Japan produced a small quantity of what many believe is the definitive distortion box. It had delicious tonality and was highly responsive and versatile. Danelectro offers you the D-1 Fab Distortion as a sonic equivalent to the prized original. It's equipped with Level, Tone, and Distortion controls. You'll adore it. Features:

• Warm vintage distortion
• Responsive
• Versatile
• Level, Tone, and Distortion knobs
• The FAB Distortion is a ground distortion that produces the distortion sound of the legendary 70's.

With ten models including booster, tube overdrive, and distortion, Drive Force gives you all pedal sounds you'll ever need. With its Dual Engine and A/B output, Drive force allows you to mix two-drive sounds together and pan it to two outputs. A switchable noise gate and 12 cabinet models can be applied to any of the models. Specification: Effects types 10 modeling stompbox models Presets Up to 9 storable user presets plus manual mode Sampling frequency 44.1 kHz A/D converter 24-bit Signal processing 32-bit Frequency response 20Hz-20kHz ±1dB THD+N 93dBu (＜0.003%) A-Weighting Dynamic Range 100dB Input -20dBV@1MΩ Output -10dBV(Output load impedance of 10 KΩor more) Display 128*128 TFT Power 9V DC (9V battery or optional ACD-007A Adaptor)

NUX Monterey Vibe, born to recreate the grand, yet complex, psychedelic rock guitar sound of the 1960's and 70's. It features all of the classic Uni-vibe style selections: Chorus, Rotary-Speaker, and Phaser pedal. We modernized the original 4 stage phaser circuit ( a pulsating bulb surrounded by 4 photo-resistors ) by  replacing it with a powerful 32Bit floating DSP to process our custom algorithm.  What was the outcome?  A perfect mimic of the complex physical-phenomena of its original analog circuitry. NUX Monterey Vibe generates a truly unique effect tone; a mix of chorus, tremolo, rotary, and phaser. This unique tone can be found in Pink Floyd’s ‘Breathe’, Robin Trower’s ‘Bridge of Sighs’, and the haunting audio mood created for ‘Machine Gun’ by Jimi Hendrix. The earliest Uni-Vibe effect pedal came out in the 1960‘s.  Cutting-edge guitarists were seeking a replacement for the heavy rotary speaker amplifier--configured from a standard amplifier for the electronic pipe organ.  The original Leslie speakers did have a charm of their own, but it was more than compensated for by gaining the phaser effect, and the ease-of-use of a simple pedal configuration. Just like the traditional Uni-Vibe pedal, you can switch between Chorus ( the Uni-vibe effect ) or Vibrato, by simply holding the foot-switch.  In Chorus mode, the mix of Phaser and dry guitar signals produces a classic Rotary sound.  In Vibrato mode,  your pitch modulates between high and low.   Both modes yield a rich, vintage vibe at any speed, intensity, or volume.