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Boss MT-2 Metal Zone Distortion Pedal
PKR 43,000
Made for Heavy Metal Rockin’
The BOSS MT-2 Metal Zone distortion pedal is one of most popular pedals – with good reason! Its unique dual-gain circuitry provides you with distortion tones that sound positively huge. You get insane levels of saturation, super-long sustain, and heavy mids and lows that are reminiscent of a stack of overdriven amps. On top of that, its 3-band EQ with semi-parametric midrange control delivers plenty of tone-shaping options, giving you command over a wide range of over-the-top distortion textures. Make no mistake – if you’re a hard rock or metal guitarist, then the BOSS MT-2 Metal Zone distortion pedal should be an integral part of your tonal assault.
BOSS MT-2 Metal Zone Distortion Pedal Features at a Glance:
- Unique dual-gain circuitry creates incredible-sounding distortion
- Provides super-long sustain and heavy mids and lows like a stack of overdriven amps
- 3-band EQ with semi-parametric midrange control delivers plenty of tone-shaping options
- Tailor-made for hard rock and metal guitarists
Related products
Boss DS-1 Distortion Pedal
Distortion Effects Pedal for Guitar, Bass, and Keyboard with Distortion, Level, and Tone Controls
NUX Metal Core Distortion Pedal
Nux Metal Core Pedal Effect
The Nux Cherub Metal Core Guitar Effects Pedal is a guitar effects pedal with 2 types of metallic sounds and a built-in 2-Band EQ. This metal core features in tone lock function which will ensure the preset will not be changed during performance by disabling the button function. True bypass design minimizes loss of tone.
Diagram
- Power in
- Gas knob : Metal gain control
- Bass knob : Adjust the bass of the metal
- Out jack: Connect the core to the guitar amp
- On / Off toggle
- Variable tone lock & toggle switch: Select Voice 1 or Voice 2; freeze the current by switching it to the middle position
- Lever class : Metal level control
- Treble knob : Treble metal
- LED Indicator : Shows effect status - On / Off
- Input jack : Connect the core to the guitar
- Presets : 1 storable user presets
- Sampling frequency : 44.1 kHz
- Digital A / D : 24-bit
- Signal processing : 32-bit
- Frequency Response : 20Hz-20000Hz ± 1dB THD+N: 93dBu (<0.003%) A-Weighting Dynamic Range: 100dB
- Input : -20dBV
- Output : -10dBV (10k output load impedance Or more)
- Power : 9V DC (9V Battery or ACD-007A Adapter) (not included)
NUX MINI Oceanic Digital Reverb
NUX Oceanic, a reverb effect as vast and deep as its name !
Its minimalistic design sails past the competition giving you endless parameter choices with one single knob. Studio-grade hardware performance makes it an essential in your arsenal of effects. Room, Hall, and Square-wave or even Outer-space reverb. It’s all there, with a simple twist of a knob. Pressing the footswitch activates a green-light indicator, transforming the DECAY knob into a wet/dry mix control. Demanding guitarists want a reverb that doesn’t drown-out their tone, and Oceanic was designed with this in mind. Instead of dull and shallow you’ll get a deep full-sounding reverb that’s so seamless, you might even forget your jamming with it. To make Oceanic a great digital reverb pedal, we used a powerful 32-bit DSP to process the complexity of its algorithm. To make it a unique reverb pedal, we programmed loads of studio-sound shaping parameters into that algorithm: Envelope Control, Multi-stage Cascade Diffuser, Multi-band Tone Decay Adjustment, Random Adjustment of Tail-tone Delay, and lots more ! We even built in a compressor mold to help fine-tune your reverb dynamics. NUX is, once again, proud to re-define the mini pedal with Oceanic, a truly extraordinary reverb pedal. Oceanic can be switched in between true-bypass and buffer bypass.
NUX MINI Tube Man MKII Overdrive
Genuine Tube-like sound that makes it more than your average Tube Screamer!
More gain ! That was the overall goal. If you’re not playing through a real tube amp, cranked for overdrive, it’s difficult to get genuine tube overdrive sound. The original Tube Screamer pedals used an OP-AMP system, a basic circuitry that became popular for its “perfect amp” attributes. It had no distortion so it had to be overdriven or distorted by re-shaping the signal until it distorts ( diode-clipping ). Clipping it a little bit gives you Overdrive. Clipping it a lot gives you Distortion. But there's a better way! Using an FET Transistor System, which already has overdrive and distortion capabilities is a better approach to maintain the genuine sound you get from an actual analog tube amp. An FET allows you to bring out the harmonic attributes, and break-up the distortion into a finer grit, the way a real tube does. Now, your leads will sing richer and longer, and your rhythm will be more open and expressive than ever before. It all culminates into an overdrive that is superbly dynamic, with crisp precise clarity that lets players cut through a dense mix, without losing fat mid-range.