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MOOER SkyVerb Reverb
PKR 19,000
High quality digital reverb pedal , using a 32 bit fixed point DSPchip
Three reverb modes: Studio/ Church/ Plate
Studio: warm & natural indoor reverb, and the decay knob can show different
sizes of indoor reverb effects
Church: church reverb, empty and smooth natural reflex reverberation
Plate:plate reverb, let the steel or gold tinsel vibrate and get the man-made
mixed sound by refering to the vibration frequency
Full metal shell
Very small and compact design
True bypass switch
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Boss MT-2 Metal Zone Distortion Pedal
Made for Heavy Metal Rockin'
The BOSS MT-2 Metal Zone distortion pedal is one of most popular pedals - with good reason! Its unique dual-gain circuitry provides you with distortion tones that sound positively huge. You get insane levels of saturation, super-long sustain, and heavy mids and lows that are reminiscent of a stack of overdriven amps. On top of that, its 3-band EQ with semi-parametric midrange control delivers plenty of tone-shaping options, giving you command over a wide range of over-the-top distortion textures. Make no mistake - if you're a hard rock or metal guitarist, then the BOSS MT-2 Metal Zone distortion pedal should be an integral part of your tonal assault. BOSS MT-2 Metal Zone Distortion Pedal Features at a Glance:- Unique dual-gain circuitry creates incredible-sounding distortion
- Provides super-long sustain and heavy mids and lows like a stack of overdriven amps
- 3-band EQ with semi-parametric midrange control delivers plenty of tone-shaping options
- Tailor-made for hard rock and metal guitarists
NUX MINI Oceanic Digital Reverb
NUX Oceanic, a reverb effect as vast and deep as its name !
Its minimalistic design sails past the competition giving you endless parameter choices with one single knob. Studio-grade hardware performance makes it an essential in your arsenal of effects. Room, Hall, and Square-wave or even Outer-space reverb. It’s all there, with a simple twist of a knob. Pressing the footswitch activates a green-light indicator, transforming the DECAY knob into a wet/dry mix control. Demanding guitarists want a reverb that doesn’t drown-out their tone, and Oceanic was designed with this in mind. Instead of dull and shallow you’ll get a deep full-sounding reverb that’s so seamless, you might even forget your jamming with it. To make Oceanic a great digital reverb pedal, we used a powerful 32-bit DSP to process the complexity of its algorithm. To make it a unique reverb pedal, we programmed loads of studio-sound shaping parameters into that algorithm: Envelope Control, Multi-stage Cascade Diffuser, Multi-band Tone Decay Adjustment, Random Adjustment of Tail-tone Delay, and lots more ! We even built in a compressor mold to help fine-tune your reverb dynamics. NUX is, once again, proud to re-define the mini pedal with Oceanic, a truly extraordinary reverb pedal. Oceanic can be switched in between true-bypass and buffer bypass.
NUX Time Force Multi Digital Delay
A total of 11 delay models including tape, analog, reverse and more, provide best tone of full direction. Either instrument input or loop jacks of guitar amp can be connected to TIME FORCE with -10dB or +4dB input/out put, and kill dry functions. Flexible I/O jacks detect the stereo and mono connections automatically, which enable more routing possibilities. 40 seconds in stereo loop station make the practice full of fun. Tail function makes effect sound fade out when the effect is off. Tap tempo with different sub division can input the delay time easily
Effects types 11 modeling delay modes
Presets up to 9 storable user presets plus manual mode
Sampling frequency 44.1 kHz
A/D converter 24-bit
Signal processing 32-bit
Frequency response 20Hz-2000Hz ±1dB
THD+N 93dBu (＜0.003%) A-Weighting
Dynamic Range 100dB
Input -20dBV@1MΩ
Output -10dBV(Output load impedance of 10 KΩor more)
Display 128*128 TFT
Power 9V DC (9V battery or optional ACD-007A Adaptor)
Dimension 125(L) * 108(W) * 57(H) mm
Weight 390 g
NUX MINI Tube Man MKII Overdrive
Genuine Tube-like sound that makes it more than your average Tube Screamer!
More gain ! That was the overall goal. If you’re not playing through a real tube amp, cranked for overdrive, it’s difficult to get genuine tube overdrive sound. The original Tube Screamer pedals used an OP-AMP system, a basic circuitry that became popular for its “perfect amp” attributes. It had no distortion so it had to be overdriven or distorted by re-shaping the signal until it distorts ( diode-clipping ). Clipping it a little bit gives you Overdrive. Clipping it a lot gives you Distortion. But there's a better way! Using an FET Transistor System, which already has overdrive and distortion capabilities is a better approach to maintain the genuine sound you get from an actual analog tube amp. An FET allows you to bring out the harmonic attributes, and break-up the distortion into a finer grit, the way a real tube does. Now, your leads will sing richer and longer, and your rhythm will be more open and expressive than ever before. It all culminates into an overdrive that is superbly dynamic, with crisp precise clarity that lets players cut through a dense mix, without losing fat mid-range.