POD® X3 Features
- 1/4-inch Instrument Input
- XLR Microphone Input (w/ Trim Adjust)
- USB 2.0 for computer recording
- S/PDIF Stereo Digital Audio output
- Stereo 1/4-inch TRS Balanced Line outputs
- 1/4-inch Stereo Headphones output
- FBV Connector for optional pedal controller
- Massive model set for guitar, bass & vocals
- 78 guitar amp models
- 24 guitar cab models
- 98 stompbox and studio effects
- 28 bass amp models
- 22 bass cab models
- 6 vocal preamp models
- A.I.R.™ II cab/mic modeling with 4 mic options each
- POD Farm plug-in, a free download, provides all models in Mac® AU/RTAS®/VST® and Windows® RTAS®/VST® compatible formats
- Expansive Backlit LCD display
- 8 Chrome “Amp Control” Knobs: Drive, Bass, Mid, Treble, Presence, Reverb, Tone Volume, Master Volume
- Tap Tempo/Tuner Button
- 5 Stompbox On/Off Buttons: Amp, Stomp, Mod, Delay, Verb
- Dedicated “Dual Tone” Control Button
- 5 Context-Sensitive Parameter Edit knobs
- Send guitar through two complete Amp/Effect signal chains simultaneously
- Independent Tone Processing for 1/4-inch and XLR inputs
- USB 2.0 Multi-Channel digital computer recording (Stereo Wet/Dry Per Input)
- Studio-quality 24-bit A/D and D/A Converters and 32-bit floating point processing
- Up to 9 Simultaneous Effects Per Signal Chain, with Pre & Post amp routing
- Tap Tempo control for time-based effects
- Precision Chromatic Tuner, with Audio Mute & Bypass options
- USB 2.0 Cable included
- External Power Adapter included
POD X3 Amp Models based on*:
- “Wide panel” Fender® Deluxe Reverb®
- Fender® Bassman®
- Fender® Deluxe Reverb®
- Vox® AC-30
- Marshall® Super Lead
- Marshall® Super Lead (“jumped” channels)
- Roland® JC-120
- Marshall® JCM-800
- Soldano SLO-100
- Mesa/Boogie® Dual Rectifier®
- Marshall® 1974X (18W Reissue)
- Orange AD30TC
- L6 Treadplate
- L6 Chemical X
- L6 Insane
- L6 Piezacoustic 2
- L6 Spinal Puppet
- L6 Tube Instrument Preamp
- Bogner Uberschall
- Cornford mk50h
- Diezel VH4-Lead
- Diezel Herbert
- ENGL® Powerball
- Marshall® Silver Jubilee
- Marshall® JCM-900-Clean
- Marshall® JCM-900-Dist
- Marshall® JCM-2000
- Mesa/Boogie® Triple Rectifier®
- Peavey® 5150 II®
- Bogner Ecstasy
- Diezel VH4-Crunch
- Fender® Vibroverb
- Fender® Dual Showman® Head
- Marshall® JMP-1
- Vox® AC-15
- Mesa/Boogie® Mark IIc+
- Fender® Bassman® Head
- Gretsch® 6156
- Fender® Mini Twin Reverb®
- Gibson® GA-18 Explorer®
- Marshall® Super Bass
- Marshall® Major
- Silvertone® Twin Twelve
- Supro® Thunderbolt
- Vox® Fawn Non-Top Boost AC30
- Dumble® Clean
- Soldano SP88
- Marshall® JCM 2000
- Marshall® Super Lead Variac
- Matchless DC-30
- Blackface Fender® Twin Reverb®
- Marshall® “Block Logo” JTM-45 head
- Matchless Chieftain
- Supro® S6616
- Fender® Tweed Champ®
- Hiwatt® DR-103
- L6 Big Bottom
- L6 Fuzz
- L6 Octone
- L6 Smash
- L6 Sparkle Clean
- L6 Throttle
- L6 Clean
- L6 Mood
- L6 Agro
- L6 Class A
- L6 Variax Acoustic
- L6 JTS 45
- L6 Lunatic
- L6 Bayou
- L6 Crunch
- L6 Purge
- L6 Sparkle
- L6 Super Clean
- L6 SuperSpark
- L6 Twang
- L6 Chunk Chunk
- Budda® Twinmaster 2×12 Combo
POD X3 Cabinet Models based on*:
- 6×9 Supro S6616
- 1×8 1961 Fender® Tweed Champ®
- 1×10 Gibson®
- 1×10 Gretsch® 6156
- 1×12 Line 6®
- 1×12 1953 Fender® Tweed Deluxe Reverb®
- 1×12 1964 Fender® Blackface Deluxe Reverb®
- 1×12 1960 Vox® AC-15
- 1X15 1962 Supro Thunderbolt
- 2×2 Fender® Mini Twin Reverb®
- 2×12 Line 6®
- 2×12 1965 Fender® Blackface Twin Reverb®
- 2×12 1995 Matchless Chieftain
- 2×12 Roland® JC-120
- 2×12 1967 Vox®
- 2X12 1967 Silvertone® Twin Twelve
- 4×10 Line 6®
- 4×10 1959 Fender® Bassman®
- 4×12 Line 6®
- 4×12 1967 Marshall® Basketweave with Greenbacks
- 4×12 1968 Marshall® Basketweave with Greenbacks
- 4×12 1978 Marshall® with stock 70s
- 4×12 1996 Marshall® with Vintage 30s
- 4×12 Mesa/Boogie®
POD X3 Bass Amplifier Models based on*:
- Ampeg® SVT
- Ampeg® B-15A
- Eden Traveler WT-300
- Fender® Bassman® head
- Gallien Kruger 800RB
- Hiwatt® DR-103
- Hiwatt® 200DR
- Fender® Dual Showman®
- Fender® Bassman® Combo
- Mesa/Boogie® Bass 400+
- Polytone Minibrute
- Sunn® Coliseum
- SWR® SM-500
- Versatone Pan-O-Flex
- Vox® AC-100
- Marshall® Major
- Marshall® Plexi Super Bass
- Acoustic 360
- Aguilar® DB750
- Alembic F-2B
- L6 Tube Bass Preamp
- L6 Classic Jazz
- L6 Brit Invader
- L6 Super Thor
- L6 Frankenstein
- L6 Ebony Lux
- L6 Doppelganger
- L6 Sub Dub
POD X3 Bass Cabinet Models based on*:
- 1×12 Euphonics® CXL-112L
- 1×12 Versatone® Pan-O-Flex
- 1×15 Ampeg® B-15
- 1×15 SWR® Big Ben
- 1×15 Ploytone® Minibrute
- 1×18 Acoustic 360
- 1×18 Mesa/Boogie®
- 1×18 + 12 Sunn® Coliseum
- 2×10 Ashdown® ABM 210T
- 2×15 Fender® Dual Showman®
- 2×15 Mesa/Boogie®
- 2×15 Vox® AC-100
- 4×10 Line 6 Original
- 4×10 Fender® Bassman® Combo w/ new speakers
- 4×10 Fender® Bassman® Combo
- 4×10 Hartke®
- 4×10 David Eden
- 4×12 Hiwatt® Bass Cab
- 4×12 1967 Marshall® Basketweave w/ Greenbacks
- 4×12 1968 Marshall® Basketweave w/ Greenbacks
- 4×15 Marshall® Major
- 8×10 Ampeg® SVT Cab
POD X3 Vintage and Modern Preamp Models based on*:
- API® 512c with API® 550b EQ
- Neve 1073
- Avalon Vt737
- Requisite Y7
- L6 Solid State Console
- L6 Lo-Fi
POD X3 Effect Models based on*:
- Teletronics LA-2A®
- EP-1 Tube Echoplex
- Electro-Harmonix® Deluxe Memory Man
- Uni-Vibe
- MXR® Phase 90
- Fender® Deluxe Reverb® Tremolo
- Leslie® 145
- Arbiter® Fuzz Face
- Ibanez® Tube Screamer
- Big Muff Pi®
- ProCo Rat
- Maestro® Bass Brassmaster
- Sans Amp Bass Driver
- Arbiter® Cry Baby
- L6 Vetta Comp
- L6 Sub Octaves
- L6 Slap Plate Reverb
- L6 Male De-Esser
- L6 Female De-Esser
- L6 Vetta Wah
- L6 Digital Delay
- L6 Six band semi-parametric EQ
- L6 Flanger
- L6 Sine Chorus
- L6 Noise Gate
- L6 Standard Spring Reverb
- L6 Brite Room Reverb
- L6 Medium Hall Reverb
- L6 Cavernous Reverb
- L6 Bender pitch effect
- Boss® CS-1 Compressor (treble switch)
- Tycobrahe Octavia®
- Binson EchoRec
- Maestro® EP-3 Echoplex
- Boss® DM2 Analog Delay
- Roland® RE-101 Space Echo
- Square CE-1 Chorus
- A/DA Flanger
- Boss® CS-1 Compressor
- MXR® Dyna Comp
- Vox® V847 Wah
- Custom Vox® V847 Wah
- Colorsound® Wah-Fuzz
- Maestro® Boomerang Wah
- Cry Baby® Super – Jen Electronics
- RMC Real McCoy 1 Wah
- Mu-Tron® III Down
- Moog and ARP style synth filters
- Moog Lead
- ARP Solina / Elka® Strings
- Boss® Metal Zone MT-2
- Chandler Tube Driver®
- Fender® Vibratone
- L6 Sweep Echo
- L6 Reverse Delay
- L6 Stereo Delay
- L6 Ping Pong Delay
- L6 Small Room
- L6 Lux Spring
- L6 Auto Swell
- L6 Auto Pan
- L6 Large Hall
- L6 Vintage Plate
- 64 Mu-Tron® III
- 1960 Vox® AC15 Tremolo
- L6 Tiled Room
- L6 Rich Chamber
- L6 Large Plate
- Boss® CE-1 Chorus Ensemble
- L6 King Spring
- L6 Dark Hall
- L6 Chamber
- Volume Pedal
- L6 Vetta Juice
- L6 Boost & EQ
- L6 Clean Sweep
- L6 Seizmik Synth
- L6 Double Bass
- L6 Buzz Wave
- L6 Rez Synth
- L6 Saturn 5 Ring Mod
- L6 Synth FX
- L6 Synth Harmony
- L6 Squarge Chorus
- L6 Expo Chorus
- L6 Random Chorus
- L6 Square Flange
- L6 Expo Flange
- L6 Lumpy Phase
- L6 Hi-Talk
- L6 Sweeper
- L6 POD Purple X
- L6 Random Sample and Hold
- L6 Tape Eater
- L6 Warble-matic
- L6 Low Rez Delay
- L6 Phaze Eko
- L6 Bubble Eko
POD X3 V2.0 Effect Models:
- Vocoder
- Dynamic Delay
- Dimension
- Pitch Vibrato
- Voice Box
- V Tron
- Octisynth
- Q Filter
- Pattern Tremolo
- Frequency Shifter
- Barberpole Phaser
- Script Phaser
